【說明】

日本自江戶以來，對中國山水畫的接受與鑑賞以「南畫」為主流，湯川除了深受此一脈絡的影響，也極其推崇「元四大家」、「清初四王」以及吳歷（1632-1718）、惲壽平（1633-1690）等畫家。他認為這些畫家的作品融匯道家思想，在筆墨與構景之間呈現出自然與心境相契的意趣，值得更高評價。展出的山水作品形式多樣，有簡筆寫意，也有繁密布局；有純墨繪成，也有略施淡彩者。

​【Description】

Since the Edo period, the reception and appreciation of Chinese landscape painting in Japan have largely centered on the tradition known as Nanga (Southern School painting). While deeply shaped by this lineage, Yukawa also held in particularly high regard the Four Masters of the Yuan dynasty, the Four Wangs of the early Qing, as well as painters such as Wu Li (1632–1718) and Yun Shouping (1633–1690). He believed that their works, imbued with Daoist thought, achieved a resonance between brushwork, composition, and inner state, expressing a harmony between nature and the mind that deserved greater recognition. The landscapes shown here vary widely in form, ranging from monochrome ink works to compositions softened by light color.