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​湯川秀樹(1907-1981)誕生於東京。當量子力學於1920年代在歐洲成形之際,湯川逐漸確立對理論物理的興趣與方向。1935年,他提出「介子理論」,預測存在於原子核之間的中介粒子,用以解釋質子和中子(核子)之間的強相互作用。由於原子核內的質子帶正電,按電磁作用應該互相排斥,因此必須存在一種強而短程的力量,使核子能被緊密束縛於原子核內。湯川假設這種「核力」是透過一種新粒子的交換所產生,並推算出該粒子質量約為電子的200倍,此即「介子」。1947年,「π介子」在宇宙線中被發現,證實湯川的理論。1949年,湯川以此理論榮獲諾貝爾物理學獎,成為日本首位獲獎的物理學家,對現代粒子物理學的發展具有奠基性的影響。


另外,粒子標準模型中以湯川命名的「Yukawa作用項」,是費米子獲得質量的重要關鍵。換言之,若無這項理論框架,質量的起源便無從理解。湯川也創辦了英文期刊 Progress of Theoretical Physics(《理論物理進展》),培育日本新一代物理學家,推動戰後的日本重返國際科學界。

 

湯川生於學養深厚的家庭,自幼接受嚴謹的漢學教育。外祖父在其學齡前便教他誦讀《大學》、《論語》與《孟子》,母親為孩子們準備的兒童雜誌,以及父親書房中的《老子》、《莊子》和各國文學譯著,都成為他思想啟蒙的養分,孕育出他兼具科學理性與人文精神的特質。


本次展覽共展出28件由谷川雅夫教授捐贈的湯川秀樹及其家族與親友的墨跡,呈現出物理大師的人文關懷。展覽共分三個單元:「家學與知交」,以其家人與親友的書跡為主,展現他的家學傳承與人際網絡;「性情中的湯川」,展出其和歌與山水畫作,呈現科學家以筆墨觀照自然、並思索宇宙與生命的獨特視角;「入世的湯川」,則以其戰後投身和平運動的行動為主題,體現他身為原子能研究學者,在反思戰爭經驗後對世界和平的深切追求與人文理想。

關於展覽

Introduction

Hideki Yukawa (1907–1981) was born in Tokyo. As quantum mechanics took shape in Europe during the 1920s, Yukawa gradually established his interests and direction in theoretical physics. In 1935, he proposed the meson theory, predicting the existence of an intermediate particle within the atomic nucleus to explain the strong interaction between protons and neutrons (nucleons). Since protons carry positive electric charge and should repel each other through electromagnetic force, there had to be a powerful yet short-range force capable of tightly binding nucleons inside the nucleus. Yukawa hypothesized that this “nuclear force” arose through the exchange of a new particle, and he calculated its mass to be approximately 200 times that of an electron—this was the meson.

In 1947, the π-meson was discovered in cosmic rays, providing experimental confirmation of Yukawa’s theory. In 1949, he was awarded the Nobel Prize in Physics for this groundbreaking work, becoming the first Japanese physicist to receive the honor and laying a foundational cornerstone for the development of modern particle physics.

Furthermore, the “Yukawa interaction term” in the Standard Model of particle physics plays a crucial role in explaining how fermions acquire mass. In other words, without this theoretical framework, the origin of mass itself would remain fundamentally unexplained. Yukawa also founded the journal Progress of Theoretical Physics, nurturing a new generation of Japanese physicists and helping reestablish Japan’s presence in the international scientific community after World War II.

Born into a family of deep scholarly traditions, Yukawa received a rigorous education in classical Chinese learning from an early age. Even before entering school, his maternal grandfather taught him to recite The Great Learning, The Analects, and Mencius. The children’s magazines prepared by his mother, along with the Laozi, Zhuangzi, and translated works of world literature in his father’s study, all became vital sources of intellectual nourishment. These influences fostered in him a rare character that harmonized scientific rationality with humanistic spirit.

This exhibition presents 28 calligraphy works, manuscripts, and paintings by Hideki Yukawa, his family members, and close associates, generously donated by Professor Masao Tanigawa. Through these selected works, the exhibition reveals the humanistic depth of this great physicist.

 

The exhibition is organized into three thematic sections.

“Family Heritage and Kindred Scholars”, features works by Yukawa’s family and friends, illustrating his inherited scholarly tradition and personal network.

“Yukawa as Poet-Scientist”, showcases his waka poetry and landscape paintings, which reflect how he contemplated nature, the universe, and life through brush and ink.

“Toward One World”, focuses on his postwar involvement in the peace movements, embodying the profound humanistic ideals and global responsibility he embraced as a nuclear physicist reflecting on the experiences of war.

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